Sonic Composition for Contemporary Art Performance

I have recently been contacted to work on the sonic composition of a Contemporary Art Performance by a very talented Artist in London.

Her project was an abstract dance performance around the notion of haptic kin, geological human, and the deep unconscious fossil memory of the Earth we carry in ourselves.

The piece is 30 minutes, long and is composed of three parts, to fit the narrative of the performance.

It was performed Live at the Florence Trust opening, by me and Dance Artist Sara Ruddock, under Mayra Ganzinotti’s supervision.

Here is the sonic composition